Showing posts with label glazes. Show all posts
Showing posts with label glazes. Show all posts

Saturday, August 1, 2009

The results....FINALLY



Well, it's been a few days since I fired up my electric kiln to complete a glaze firing of pottery which had been created over the last few weeks. It is indeed a process, the making of pottery, from opening a bag of moist clay to seeing the actual piece glazed and fired. I told someone
today, while at the Amina Craftmarket, where I sell my work primarily to cruise ship and stayover visitors, that no one asked me to make pottery or to put a particular design and colour on them. I am inspired by the spirit, something within me that moves me to see, create and do things in a particular way. It allows me to observe and interpret what I see around me and I execute it in my pottery. I also said that no one has to buy it but they do. A potential buyer comes to my gallery or my table at the market, the piece they will eventually buy speaks to them and inspires them to walk away with it. That makes me feel good!!



I am quite happy with the results of this firing, including the pieces which were glazed with the 'wrong' glaze. We unpacked the kiln two days after I fired up the kiln. At my sales event later that night, and again today, the newer designs which I decided to try were the first to 'fly' off the table.


For the pieces which I've sold the process is totally complete. In my gallery and my 'travelling bin' (the container in which I carry my pieces), there is a whole new stock to be sold..the process of pottery making complete! Now, it's time to sell, sell, sell!!!

Wednesday, July 29, 2009

finishing up




















I woke up energised and ready to complete the process of glazing the pottery pieces that we had completed over the past few weeks. I choose to use glaze colours which I believe speak to me as a Caribbean potter. I love using black, blue, green, yellow and red. During my meditation to decide what colours to use and how to execute the designs, I decided to return to use a combination I used years ago, and also one which I returned to from time to time. What I call the 'liberation or Caribbean colours'...red, green, yellow and black. I also decided to do some faces and locks as a background design for some of the pieces. I have always loved playing with faces in my work. And the locks well you know...I am inspired by it too.

I promised photos to tell the story this time around.


I began working on the pieces seen below. After the clay is fired is reddish brown. I have just completed putting on the yellow glaze. At this stage it looks whitish. The real colour of the glaze will be evident after it is fired.
















There is quite a number of pieces to complete. Some of the pieces were done last night. Some still need to be glazed on the inside.




As I worked a couple of ladies visited the shop. They purchased a couple pieces. I also received a phone call from one of my sisters in the US. Since I working alone and I had a meeting with a potential client, I had to stay focussed on completion. After applying the glazes and cleaning the bottom of all the pieces, I signed each piece before packing the kiln for the second firing.




You can see the little turtles which are going along for the ride between cups and bowls. I use these to make windchimes. It was an extremely hot day. I kept going back and forth from the house to the studio. I packed pieces into a box to make the process easier both on my legs and my flagging energy.There are shot glasses, boxes and bowls.

The top shelves got the plates and coasters.






I say a prayer and let it rip. The timer on the kiln was set for ten hours. I looked at the clock, it was 1.35pm and my meeting was scheduled for 1.30pm. I heard my phone going off. I couldn't find it. By the time I located it...a missed call from the prospective client. I called them back and told them I am on my way. I quickly washed my face, and some other parts of the body which was dripping with sweat, towelled of quickly, hunted for a dress, packed the three sample scounces and was out the door.




Two of the scounce samples.



The kiln fired for eight hours. I took a peep in it a few hours ago to see the results of the firing. The kiln was still quite hot eighteen hours later.
You'll see the results of the firing in my next blog.